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Even in a stripped-down acoustic set, Tinariwen's trance-inducing desert music doesn't disappoint.
E2
Watch singer Teri Gender Bender transform from a soft-spoken musician into a rock 'n' roll beast.
E3
The band's keen sense of song prevails, especially in a new song called "It All Means Nothing."
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Banjo master Schepps and friends create an intriguing goulash of Bartók, bluegrass and bebop.
E5
Watch the masterful folk guitarist perform a lovely instrumental set at the NPR Music offices.
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Calvi plays songs from her self-titled debut in this powerful performance at the NPR Music offices.
E7
The San Antonio trio gets back to basics to explore its songs' forms and the soul of its lyrics.
E8
The brilliant and nimble guitarist reinvents the songs of John Lennon at the NPR Music offices.
E9
The group has revitalized a long-lost culture through music performed entirely in Haitian Creole.
E10
The Hold Steady singer's stark side is nicely conducive to barren arrangements at the NPR offices.
E11
The dance-friendly, India-inspired funk group performs a high-energy set at the NPR Music offices.
E12
"The Duke of Bachata" gives a raw but beautiful interpretation of bachata at the NPR Music offices.
E13
Hear the fresh-faced opera singers perform Puccini at the NPR Music offices.
E14
In this performance at the NPR Music offices, the Irish pop band mixes new songs with early hits.
E15
A band of selective minimalism, Milagres gets the most of simple sounds at the NPR Music offices.
E16
Through her insightful lyrics, Sandra Velasquez conjures the sounds of the Mexican desert.
E17
Her gorgeous, whispery voice inspired the Tiny Desk Concerts series in 2008. Now, Laura Gibson returns with her band to perform four songs from her new album, La Grande.
E18
The saxophonist's new repertoire salutes electric funk, South Indian modes and swarming solos.
E19
Real Estate wears placidity well: It's a band born and bred to convey and celebrate laconic comfort.
E20
A soulful master musician from Iran, Kalhor performs a beautiful improvisation at the NPR offices.
E21
Sisters Klara and Johanna Söderberg make charming, folk-infused pop music that lulls and enchants.
E22
The ensemble employs all kinds of toys, from an amplified cactus to a mug filled with spare change.
E23
The Canadian singer performs four sweet, warm, relatable songs that soothe as they nourish.
E24
Caveman writes guitar-based pop songs full of space and melodies you can carry around in your head.
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At the NPR offices, the band plays in a lean, funky configuration that gets the room grooving along.
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The group fuses the music of many Christian cultures, with nods to African songs of celebration.
E27
Holland plays songs with an unadorned tone that makes the voice and lyrics all the more touching.
E28
The venerable band sounds as poignant and tender as ever in this performance at the NPR offices.
E29
The group doesn't overwhelm so much as it wears listeners down with a subtle charm offensive.
E30
The guitarist displays intricate fingerpicking in two songs inspired by Kentucky Derby racehorses.
E31
The jazz quartet draws from post-bop, 20th-century chromaticism and New Orleans funeral marches.
E32
K Ishibashi is a master at building songs from live violin loops, layered singing and beatboxing.
E33
The improvisational music of the father-son, guitar-cello duo functions as a beautiful conversation.
E34
The Godfather of Go-Go died Wednesday. In 2010, he brought his full band to the NPR Music office.
E35
Rooted in acoustic traditions, the music of Arborea stands out for its calm beauty and rough edges.
E36
Tiersen's rich, liltingly eccentric pop music is constructed from lots of sweet, intricate pieces.
E37
The venerable brass quintet sports virtuosic, fresh-faced players in tried-and-true repertoire.
E38
Watson has a lovely voice and a gift for wringing evocative sounds out of everything he touches.
E39
The unflappable singer performs three songs with seeming effortlessness and easygoing charm.
E40
The drummer dedicates tunes to her friends, including her first teacher — a "sometimes great guy."
E41
Watch three songs by a troubled soul with a talent for writing honest, disarmingly direct music.
E42
Hansard flexes his neck muscles a bit as he performs new songs and deep cuts at the NPR offices.
E43
The band plays with just the right mixture of passion and pathos in a fun set at the NPR offices.
E44
The comedian and musician performs spontaneous improvisations full of killer grooves and humor.
E45
The band plays a beautifully buzzing, nuanced set, marked by gorgeous grace and stirring melodies.
E46
At the NPR offices, Carlile and her band sing from-the-gut songs about messy lives, loudly lived.
E47
Two songs from A Creature I Don't Know bookend a gorgeous new, unreleased song called "Once."
E48
A soulful yet steely singer-songwriter from Algeria charts her own course in these four songs.
E49
Joey Ryan and Kenneth Pattengale sing sweet but intricate folk-pop songs in the NPR offices.
E50
Feder marries classical and folk techniques with otherworldly guitar textures and sounds.
E51
The band makes the Tiny Desk accommodate its booming sound rather than the other way around.
E52
Known for mixing folk and electronics, Orton unveils three new songs with just an acoustic guitar.
E53
Two surviving members of the band still have the same chemistry here in a stripped-down performance.
E54
By the middle of Wainwright's final song, "Montauk," few dry eyes remained in the NPR offices.
E55
Watch the renowned double bassist thump, strum and loop his way through three mesmerizing songs.
E56
Avital's mandolin sings with the sounds of Ernest Bloch and a raucous Bulgarian folk tune.
E57
These songs' fervor is the product of a singer armed with intensity and musicians who can match it.
E58
Watch Las Vegass bring a punk aesthetic to Venezuelan folk music with a cuatro at the NPR offices.
E59
Hearing the 29-year-old singer makes it virtually impossible to do anything but stop and listen.
E60
It's one thing for 11 musicians to make a big sound, but what stands out is Antibalas' subtlety.
E61
The group plays fiddle, banjo, guitar and washboard, all gathered around a single microphone.
E62
The band unleashes a gorgeous flurry of shambolic rumbling, prolific hairiness and dramatic yelling.
E63
Like any great blues singer, Cray makes heartache and dysfunction sound engaging and relatable.
E64
The band's rich harmonies are welcoming, its lyrics relatable and its live performances thrilling.
E65
Michael Angelakos makes electro-pop with monster hooks. But his songs are sturdy, versatile things.
E66
The longtime frontman for Grandaddy goes it alone with acoustic solo songs from his latest record.
E67
The conjunto icon spins magic, and stays true to tradition, with his trademark button accordion.
E68
For Tiny Desk Concert No. 250, the Death Cab for Cutie and Postal Service singer performs solo.
E69
Wainwright roughs up life's smooth spots, then digs her fingertips into the cracks that form.
E70
Victoria Bergsman's songs seem to come from a place somewhere between a dream state and waking life.
E71
The Seattle duo literally shakes the dust off the ceiling tiles at the NPR Music offices.
E72
The singer-songwriter performs three of Young Man in America's most bracingly beautiful songs.
E73
Once the acoustic guitarist zeroes in on the center of a song, it's easy to get lost in it yourself.
E74
Lovett gives a loose, engaging performance that feels like both an introduction and a victory lap.
E75
The Mercury Prize-winning band plays angular, poetic, inventive music that takes unexpected turns.
E76
The sprawling group, 17 strong, squeezes behind Bob Boilen's desk for a special holiday performance.
E77
Performing at the NPR Music offices, Miguel strips his highly produced hits down to their bones.